Edited by David Evans, published by MIT press from Whitechapel: Documents of Contemporary Art.
A collection of essays that includes discussion of avant-garde photomontage, the Duchampian readymade, and the Pop image through postmoderism and artists working today.
I'm working my way through.
Sherrie Levine's 'statement' is a collection of quotes. Similar to Jonathan Lethem's piece (see next in the bibliography)
I thought this little bit was interesting where Duchamp writes about limiting the number of his ready-mades. Of course one of the main problems with copies is the issue of value.
